A Man Without a Country is Kurt Vonneguts hilariously funny and razorsharp look at life ("If I dieGod forbidI would like to go to heaven to ask somebody in charge up there, Hey, what was the good news and what was the bad news?"), art ("To practice any art, no matter how well or badly, is a way to make your soul grow. So do it."), politics ("I asked former Yankees pitcher Jim Bouton what he thought of our great victory over Iraq and he said, Mohammed Ali versus Mr. Rogers."), and the condition of the soul of America today ("What has happened to us?").
Based on short essays and speeches composed over the last five years and plentifully illustrated with artwork by the author throughout, A Man Without a Country gives us Vonnegut both speaking out with indignation and writing tenderly to his fellow Americans, sometimes joking, at other times hopeless, always searching.
Conceived the night of Che Guevara';s burial in 1967, Gabriel McKenzie is inextricably bound up in the history and politics of his native Chile. Twenty-four years on, and still a virgin, Gabriel returns from Manhattan exile to confront his legacy: a Don Juan father and a country preparing for the five-hundredth anniversary of America';s "discovery." Into Gabriel';s quest for manhood and identity enter one iceberg, a faithful if eccentric nanny, and a whole host of fantastical characters.
Gary Webb had an inborn journalistic tendency to track down corruption and expose it. For over thirty-four years, he wrote stories about corruption from county, state, and federal levels. He had an almost magnetic effect to these kinds of stories, and it was almost as if the stories found him. It was his gift, and, ultimately, it was his downfall.
He was best known for his story Dark Alliance, written for the San Jose Mercury News in 1996. In it Webb linked the CIA to the crack-cocaine epidemic in Los Angeles during the Iran Contra scandal. His only published book, Dark Alliance is still a classic of contemporary journalism. But his life consisted of much more than this one story, and The Killing Game is a collection of his best investigative stories from his beginning at the Kentucky Post to his end at the Sacramento News & Review. It includes Webb's series at the Kentucky Post on organized crime in the coal industry, at the Cleveland Plain Dealer on Ohio State';s negligent medical board, and on the US military';s funding of first-person shooter video games. The Killing Game is a dedication to his life';s work outside of Dark Alliance, and it';s an exhibition of investigative journalism in its truest form.
Trevor is an exuberant, sociable, and witty thirteen year old. So how come, when he takes that nerve-wrecking turn toward his locker at school, does he feel scared and alone? Shunned by his friends, misunderstood by his parents, and harrassed at school for being different, Trevor goes from wondering what color glitter to choose for his Lady Gaga costume at Halloween, to wondering why some feelings "are so intense it makes you just want to lay down and die rather than go on feeling it," and making an attempt on his life. Trevor mixes humor and realism in an urgent look at what it is like to feel alienated from everything around you. And more importantly, what critical ties can step in at the most unlikely moment, to save you from despair, and give you reason to go on living.
Trevor is an update of the film version of the story, directed by Peggy Rajski, which won the Academy Award for Best Live Action Short in 1994. The Trevor Project is the leading national organization providing crisis intervention and suicide prevention services to lesbian, gay, bisexual, transgendered, and questioning youth. As the recent attention to youth suicides has received increased media attention, and Dan Savage's IT GETS BETTER campaign has gone viral around the world, the public is finally beginning to face hard facts. Thirty-three percent of suicides among teenagers involve LGBTQ youth, one-third of all LGBT kids report having attempted suicide, and nine out of ten reportovert harassment at school. Trevor is an effort to make those kids feel loved and supported, so they will find the strength to go on living.
Annie Ernaux's father died exactly two months after she passed her practical examination for a teaching certificate. Barely educated and valued since childhood strictly for his labor, Ernaux's father had grown into a hard, practical man who showed his family little affection. Narrating his slow ascent towards material comfort, Ernaux's cold observation reveals the shame that haunted her father throughout his life. She scrutinizes the importance he attributed to manners and language that came so unnaturally to him as he struggled to provide for his family with a grocery store and cafe in rural France. Over the course of the book, Ernaux grows up to become the uncompromising observer now familiar to the world, while her father matures into old age with a staid appreciation for life as it is and for a daughter he cautiously, even reluctantly admires. A Man's Place is the companion book to her critically acclaimed memoir about her mother, A Woman's Story.
A lonely young woman works as an announcer in Paris's gare du Nord train station. Obsessed with a man attached to another woman, she wanders through the world of dinner parties, shopping excursions, and chance sexual encounters with a sense of haunting expectation. As something begins to happen between her and the man she loves, she finds herself at a crossroads, pitting her desire against her sanity. This smashing debut novel sparkles with mordant humor and sexy charm.
The Solitude of Compassion, a collection of short stories never before available in English, won popular acclaim when it was originally published in France in 1932. It tells of smalltown life in Provence, drawing on a whole village of fictional characters, often warm and decent, at times immoral and coarse. Giono writes of a friendship forged in a battlefield trench in the midst of World War I; an old mans discovery of the song of the world; and, in the title story, the notunrelated feelings of compassion and pity. In these twenty stories, Giono reveals his marvelous storytelling through his vivid images and lyrical prose, whether he is conveying the delicate scents of lavender and pine trees or the smells of damp earth and fresh blood.