In Scots law, the legal concept of the trust has a long history of development and, over that time, has come to take on a number of characteristics. Because of this, there is no single definition of a trust that covers every example of the trust relationship. That's where Trusts Law Essentials comes in. This concise volume will quickly introduce you to the Scots law of trusts, from creating a trust and appointing trustees to conflicts on interest and the termination of trusts. It also looks at the different purposes of a trust and the particular issues surrounding charities and charitable trusts.
End-of-chapter summaries of essential facts and essential cases will help you to identify, understand and remember the key elements of trusts law in Scotland.
All the basics that students need to know about succession in Scots law What happens after you die? You can't take it with you, so succession law governs how your property is passed on after your death. Succession Law Essentials teaches you all you need to know about the Scots laws of succession, including estates, executors, wills, will substitutes, valid and invalid testimony, intestate succession, legacies, vesting and more.
Summary sections of Essentials Facts and Essential Cases will help you to identify, understand and remember the key elements. When you're revising for your exams, the tables of cases and statutes will help you to find the page you're looking for quickly and easily.
Whether you're studying Scots law, comparative law, law in Europe or looking to convert to Scots law, this invaluable guide will quickly equip you with all the basics of the Scottish legal system. Fully updated for the third edition, it is the ideal textbook for busy law students and revising for those all-important exams. Summary sections of Essentials Facts and Essential Cases will help you to identify, understand and remember the key elements of the subject.
Explores the intricately crafted rhetorical strategies used by al-Jahiz in his letters The 9th-century essayist, theologian and encyclopedist 'Amr b. Bahr al-Jahiz has long been acknowledged as a master of early Arabic prose writing. Many of his most engaging writings were clearly intended for a broad readership but were presented as letters to individuals. Despite the importance and quantity of these letters, surprisingly little academic notice has been paid to them.
Now, Thomas Hefter takes a new approach in interpreting some of al-Jahiz's 'epistolary monographs'. By focusing on the varying ways in which he wrote to the addressee, Hefter shows how al-Jahiz shaped his conversations on the page in order to guide (or manipulate) his actual readers and encourage them to engage with his complex materials.
The Arab Spring created a transition toward democracy for the peoples of Tunisia, Egypt, Morocco and Jordan, who initially elected moderate Islamist parties to lead them out of economic deprivation and corruption. This study looks at the relative success of the move to democracy in these four Middle Eastern countries, comparing the secular leaders of Tunisia and Egypt and their desire for revolution with the monarchs of Morocco and Jordan and their priority of reform. In contrast with the monarchs, the secular leaders avoided resort to the palliative of religion to ensure the stability of their rule and were, as a result, unable to survive.
Rolf Strootman brings together various aspects of court culture in the Macedonian empires of the post-Achaemenid Near East. During the Hellenistic Period (c. 330-30 BCE), Alexander the Great and his successors reshaped their Persian and Greco-Macedonian legacies to create a new kind of rulership that was neither western' nor 'eastern' and would profoundly influence the later development of court culture and monarchy in both the Roman West and Iranian East.
Drawing on the socio-political models of Norbert Elias and Charles Tilly, After the Achaemenids shows how the Hellenistic dynastic courts were instrumental in the integration of local elites in the empires, and the (re)distribution of power, wealth, and status. It analyses the competition among courtiers for royal favour and the, not always successful, attempts of the Hellenistic rulers to use these struggles to their own advantage.
The aim of phonetic transcription is to represent the sounds of speech on paper. This book surveys the history of attempts to represent speech, considering the relationship of transcription to written language and includes a thorough analysis of the many different kinds of phonetic transcription addressing what exactly is represented in different kinds and levels of transcription. It reviews contemporary uses of phonetic transcription in a range of situations including dictionaries, language teaching texts, phonetic and phonological studies, dialectology and sociolinguistics, speech pathology and therapy, and forensic phonetics. The author grounds his work in the philosophy of phenomenalism, countering arguments against auditory transcription that have been advanced by experimental phoneticians for reasons of empirical inadequacy, and by linguistic rationalists who say it is irrelevant for understanding the supposedly innate categories that are said to underlie speech.
How did the people of Dundee respond to the challenges of being the most economically globalized city in the world in the years before the First World War?
The answer to this question is complicated by the fact that the aspect of globalization which impacted most directly on the ordinary inhabitants of Dundee was competition in the jute industry from Calcutta, a city within the British Empire of the early 20th century. Dundee had to cope not only with powerful low-wage competition in its staple industry, but the political reality that for decision-makers in London the fate of the British Empire in India was far more important than the economic well-being of a small Scottish city.
/> The history of Dundee's response to these challenges combines global economic history with analysis of imperial relations, including how these issues were understood by ordinary Dundonians, as well as by politicians and policy-makers.
Poet and critic Robert Crawford explores in eloquent detail the literary-cultural background to Scottish nationalism in the lead-up to the referendum on independence for Scotland from the United Kingdom in September 2014. He begins with the totemic Battle of Bannockburn in 1314, in which the Scots routed the English and preserved their independence until the two nations' parliaments united in 1707. Paying particular attention to Robert Burns and continuing up to the present day, he examines how writers have set out in poetry, fiction, plays and on film the ideal of Scottish independence.
Publication coincides with the 700-year anniversary of the Battle of Bannockburn.
Selling the Splat Pack unravels the history of how the emergence of the DVD market changed cultural and industrial attitudes about horror movies and film ratings. These changes made way for increasingly violent horror films, like those produced by the 'Splat Pack' - a group of filmmakers who were heralded in the press as subversive outsiders.
Were brutal American horror movies like the Saw and Hostel films a reaction to the trauma of 9/11? Were they a reflection of 'War on Terror'-era America? Or was something else responsible for the rise of these violent and gory films during the first decade of the 21st century?
Taking a different tack, Mark Bernard proposes that the films of the Splat Pack were products of, rather than reactions against, film-industry policy. This book includes an overview of the history of the American horror film from an industry-studies perspective, an analysis of how the DVD market influenced the production of American horror films, and an examination of films from Splat Pack members such as Eli Roth, Rob Zombie, James Wan and Alexandre Aja.
By re-examining the history of the American horror film from a business perspective and exploring how DVD influenced the production of American horror films in the early 21st century, this thought-provoking book provides students and scholars in Film Studies with an alternative perspective on the Splat Pack.
Studies a neglected area of postcolonial fiction, fostering a better understanding of Iraqi culture and society This exploration of the work of Iraqi novelists begins with the early pioneering works and then moves towards an outline of the vibrant Baghdad cultural scene during the 1940s and 1950s. Particular attention is paid to detailed textual analysis and the evaluation and comparison of the aesthetic and poetic qualities of the key works of the four writers who form the central subject of the book -- Abd al-Malik Nuri (1921-98), Gha'ib Tu'ma Farman (1927-90), Mahdi Isa al-Saqr (1927-2006) and Fu'ad al-Takarli (1927-2008) -- all of whom began to write in or around the pivotal decade of the 1950s.
It is in these writers' works that Iraqi fiction came of age and reached artistic maturity. The best of them are among the most complex portrayals of the particularities of life in Iraq and the human condition in general to come out of the Arab world.
This groundbreaking book offers a fresh and innovative perspective on ethics and politics after poststructuralism. Madeleine Fagan argues that the "ethical" should not be understood as a label; it does not mean "good" or "right", and is not an evaluation or guide. Rather, both the ethical and the political are descriptions of the context in which we find ourselves. Fagan offers an account of the inseparability of ethics and politics that challenges existing accounts of poststructuralist ethics and shows the need for a practice-based rethinking of the ethico-political. Drawing on the work of Emmanuel Levinas, Jacques Derrida and Jean-Luc Nancy, Ethics and Politics after Poststructuralism puts forward a radical and far-reaching critique of both foundational and non-foundational ethical theory.
What does the new epic film now look like? How is it classified? Why has it returned?
The success of Gladiator re-launched a genre which had lain dormant for 35 years. The Return of the Epic Film is one of the first books to examine this return as a coherent body of films. Studying a range of films from Gladiator to Clash of the Titans, the various essays question how we define these new epics, their aesthetics, their relationship to history, and who decides which films should be in the canon. Over the course of 11 essays by key figures in the field, the book examines in what ways, why, and how the epic film has returned to our cinemas.
By embracing a range of approaches which take into account the production process, and by questioning the canon of films conventionally accepted as epics, this book will inspire Film Studies students and scholars to rethink the epic film.
An exploration of the post-politics of global capitalism in theory and practice Our age is celebrated as the triumph of liberal democracy. Old ideological battles have been decisively resolved in favour of freedom and the market. We are told that we have moved 'beyond left and right'; that we are 'all in this together'. Any remaining differences are to be addressed through expert knowledge, consensual deliberation and participatory governance. Yet the 'end of history' has also been marked by widespread disillusion with mainstream politics and a rise in nationalist and religious fundamentalisms. And now an explosion of popular protests is challenging technocratic regulation and the power of markets in the name of democracy itself.
This collection makes sense of this situation by critically engaging with the influential theory of 'the post-political' developed by Chantal Mouffe, Jacques Ranciere, Slavoj Zizek and others. Through a multi-dimensional and fiercely contested assessment of contemporary depoliticisation, The Post-Political and Its Discontents urges us to confront the closure of our political horizons and re-imagine the possibility of emancipatory change.
Shows how ethical subjectivity is not based on individual morals but contemporary cultureTaking his lead from the philosophy of Emmanuel Levinas, and engaging with a number of ethical thinkers, Dave Boothroyd addresses a number of key contemporary ethical subjects. In doing so, he reveals how responsibility is grounded in the everyday encounters and situations we are all familiar with.
Quickly equips you with the strategies you need to deepen your engagement with individual poems. New for this edition:* End-of-chapter exercises and follow-up research tasks* New readings of modern women's poetry* Section on How to Write Poetry with exercises* Suggestions for further reading - both books and websitesBased on their extensive teaching experience, the authors provide a lively route map through the main aspects of poetry such as sound effects, rhythm and metre, the typographic display of poems on the page and the language of poetry using practical examples throughout.
A glossary of words associated with Jacques Derrida accommodating the far-reaching implications of his work This cornucopia of words and definitions intervenes at crucial points of tension across the entire range of Derrida's publications, including those published posthumously. It offers sustained expository engagement with a series of 67 key words - from Aporia to Yes - having significance throughout Derrida's thought and writing. Touching on the literary, as well as on political, aesthetic, phenomenological and psychoanalytic discourses, and tracing how Derrida's own practice of close reading shadows faithfully the texts he reads before producing a breaking point in the logical limits of a given text, each word, the essays illustrate, is not a final word. Instead, each shows itself, through close reading that places the terms, figures, tropes, and motifs in their broader contexts, to be a gateway, opening on to innumerable, interconnected concerns that inform the work of Jacques Derrida.
The Scottish diasporic communities closest to home are those we know least about. Whilst an interest in the overseas Scottish diaspora has grown in recent years, Scots who chose to settle in other parts of the United Kingdom have been largely neglected. This book addresses this imbalance. Scots travelled freely around the industrial centres of northern Britain throughout the nineteenth and early twentieth centuries and Belfast was one of the most important ports of call for many. The Scots played key roles in shaping Belfast society in the modern period, playing a key role in its industrial development and many cultural, philanthropic and religious initiatives. Yet despite their significance, in Protestant, Unionist and at times ill at ease Belfast, individual Scots could be viewed with suspicion, dismissed as "strangers," or interfering outsiders.
Love, hate, slavery, torture, addiction and death - as this book shows, only psychoanalysis can speak well of such matters. Psychoanalysis was the most important intellectual development of the 20th century, which left no practice from psychiatry to philosophy to politics untouched. Yet it was also in many ways an untouchable project, caught between science and poetry, medicine and hermeneutics. This unsettled, unsettling status has recently induced the philosopher Alain Badiou to characterise psychoanalysis as an 'antiphilosophy', that is, as a practice that issues the strongest possible challenges to thought. Justin Clemens takes up the challenge of this denomination here, by re-examining a series of crucial psychoanalytic themes: addiction, fanaticism, love, slavery and torture. Drawing from the work of Freud, Lacan, Badiou, Agamben and others, Psychoanalysis is an Antiphilosophy offers a radical reconstruction of the operations and import of key psychoanalytic concepts and a renewed sense of the indispensable powers of psychoanalysis for today.
This book examines the relationship between Romantic writing and the rapidly expanding British Empire. Literature played a crucial role in constructing and contesting the modern culture of empire that was fully in place by the start of the Victorian period. Postcolonial criticism's concern with issues of geopolitics, race and gender, subalternity and exoticism shape discussions of works by major authors such as Blake, Coleridge, both Shelleys, Austen and Scott, as well as their less familiar contemporaries.
Reproduces and contextualises the intelligence documents that influenced crucial UK Government decisions These 20 case studies reveal the declassified papers of the JIC, shining a light on the workings of Whitehall's secret world and the vital, previously unknown, role played by intelligence in pivotal events across the 20th and 21st centuries.
For more than half a century, the Joint Intelligence Committee or 'JIC' has been a central component of the British Government's secret machinery. It represents the highest authority in the world of intelligence and acts as a broker between the spy and the policy-maker. From WWII to the War in Iraq, and from the Falklands to the IRA, it has been involved in almost every key foreign policy decision.
Historical linguistics commonly invokes the child as the principal agent of change. Using this as a starting point, the authors address diachronic language change against a background of insights gained from extensive research into mono- and bilingual language acquisition. The evidence shows that children are remarkably successful in reconstructing the grammars of their ambient languages so the authors reconsider a number of commonly held explanatory models of language change, including language contact and structural ambiguity in the input. Based on a variety of case studies, this innovative take on the subject argues that morphosyntactic change in core areas of grammar typically happens in settings involving second language acquisition. Here, the children acting as causal agents of restructuring are either second language learners or are continuously exposed to the speech of second language speakers. The authors answer questions about the circumstances surrounding grammatical change in terms of a restructuring of speakers' internal grammatical knowledge constructing a general theory of diachronic change consistent with insights from language acquisition.
Learn all the skills you need to translate from English to Arabic in this clearly structured guide. The extracts from a variety of authentic, contemporary texts have been carefully selected to introduce you to important stylistic features so that you can develop your skills across a range of genres.
The first detailed English-language book on Korean horror introduces the cultural specificity of the genre to an international audience, from the iconic monsters of gothic horror, to the avenging killers of Oldboy and Death Bell. Beginning in the 1960s, it traces a path through the history of Korean horror, offering new interpretations of classic films, demarcating the shifting patterns of production and consumption across the decades, and acquainting readers with films rarely seen and discussed outside of Korea. It explores the importance of folklore and myth on horror film narratives, the impact of political and social change upon the genre, and accounts for the transnational triumph of some of Korea's contemporary horror films. While covering some of the most successful recent films such as Phone and A Tale of Two Sisters, the collection also explores the obscure, the arcane and the little-known outside Korea, including detailed analyses of The Devil's Stairway and Woman's Wail. Its exploration and definition of the canon makes it an engaging and essential read for students and scholars in horror film studies and Korean Studies alike.