This inaugural volume in the Peter Lang Conflict and Peace series brings together works that richly depict the tensions between the promise and reality of applying communication principles and theories to conflict transformation and peacebuilding around the world and in the United States. Each chapter provides concrete examples of the doing of engaged scholarship in this context. Chapter contributors explain how their on-the-ground work has contributed to theorizing in communication and beyond as well as to conflict transformation and peacebuilding practice. Importantly, they also unearth the challenges in designing and implementing techniques and practices. As a collection, this edited volume underscores the communicative nature of conflict transformation and peacebuilding in particular, and engaged scholarship, in general. The collection also reveals tensions in doing engaged scholarship that are applicable to other contexts beyond conflict transformation and peacebuilding.
Why should you care about what happened to William Frantz Public School? Yes, Ruby Bridges entered the iconic doors of William Frantz in 1960, but the building's unique role in New Orleans school desegregation is only one part of the important history of this school. Many additional and equally important stories have unfolded within its walls and the neighborhoods surrounding it. These stories matter.
It matters that society has historically marginalized Black students and continues to do so. It matters that attempts to dismantle systemic racism in schools and other institutions still face strong resistance, and these issues continue to deeply divide the United States. It matters that the building remains standing as an indomitable symbol of the resiliency of public education despite decades of waning support, misguided accountability, and a city devasted by Hurricane Katrina. It matters that opportunism, under the guise of recovery, reshaped public education in New Orleans.
William Frantz Public School: A Story of Race, Resistance, Resiliency, and Recovery in New Orleans provides more than an examination of education in one school and one city. It recounts a story that matters to anyone who cares about public education.
The Novels of Zsigmond Móricz in the Context of European Realism is the first English-language monograph on one of Hungary's-and Central Europe's-most important modern authors. Using a thematic approach that privileges literary characters as stand-ins for real human beings, Virginia L. Lewis investigates Móricz's thematization of individual agency in seven realist novels that form the foundation of the author's reputation as a major twentieth-century novelist. Lewis does an outstanding job of showcasing the research results of the many Hungarian scholars who have studied Móricz's narrative output over the past century, while also bringing decidedly new perspectives to the table in introducing the author to an English-speaking audience. Utilizing the theoretical impulses of scholars such as Horst and Ingrid Daemmrich, Margaret Archer, Jean-Paul Sartre, and Ibrahim Taha, among others, Lewis forges a new and productive path in Móricz scholarship, while also making his oeuvre accessible to a global audience. Any reader with an interest in Hungarian and Central European narrative will find this study enormously useful for the revelations it brings regarding Móricz's poignant and brilliant critique of the corrosive influence of commodification and greed on human agency in modern society.
"Informed by theory and grounded in a critical understanding of Hungarian social history in the first half of the twentieth century, Lewis's engaging study of the realist novels of Zsigmond Móricz compels readers to think in new ways about questions of human agency amongst Hungary's lower and middle classes as this played out against the backdrop of capitalist transformation and pronounced social conflicts and injustices in the decades leading up to World War II. Skillfully structured around succinct analyses of seven of Móricz's key texts, Lewis's book addresses a sizable gap in the English-language scholarship on one of Hungary's greatest writers, and will be a welcome addition to the libraries of literary scholars and social and intellectual historians alike." -Steven Jobbitt, Associate Professor of Central and Eastern European History, Lakehead University, Thunder Bay, Canada
Authorizing Shakespeare on Film and Television examines recent film and television transformations of William Shakespeare's drama by focusing on the ways in which modern directors acknowledge and respond to the perceived authority of Shakespeare as author, text, cultural icon, theatrical tradition, and academic institution. This study explores two central questions. First, what efforts do directors make to justify their adaptations and assert an interpretive authority of their own? Second, how do those self-authorizing gestures impact upon the construction of gender, class, and ethnic identity within the filmed adaptations of Shakespeare's plays? The chosen films and television series considered take a wide range of approaches to the adaptative process - some faithfully preserve the words of Shakespeare; others jettison the Early Modern language in favor of contemporary idiom; some recreate the geographic and historical specificity of the original plays, and others transplant the plot to fresh settings. The wealth of extra-textual material now available with film and television distribution and the numerous website tie-ins and interviews offer the critic a mine of material for accessing the ways in which directors perceive the looming Shakespearean shadow and justify their projects. Authorizing Shakespeare on Film and Television places these directorial claims alongside the film and television plotting and aesthetic to investigate how such authorizing gestures shape the presentation of gender, class, and ethnicity.
This book identifies how church cultural components are created, developed, and used to educate and empower adherents, and whether and how these tools are associated with the historic Black Church. The book is particularly interested in how large Black congregations - megachurches - use rituals found in worship, theology, racial beliefs, programmatic efforts, and other tools from their cultural repertoire to instruct congregants to model success in word and deed. The book's findings illustrate that Black megachurches strive to model success on various fronts by tapping into effective historic Black Church tools and creating cultural kits that foster excitement, expectation, and entitlement.
Women are taking the lead in today's workforce. They hold half of America's jobs, 51% of supervisory and managerial positions, and nearly 60% of all college degrees. A woman starts a business in the U.S. every 60 seconds. Without women, the U.S. economy would be 25% smaller than it is today. Women Lead is an in-depth examination of women's role in today's workplace. Drawing on interviews with nearly 200 women leaders, and survey responses from more than 3000 male and female managers, the book explains 21st-century career trends and provides practical advice to help women excel in the new world of work. Readers will discover facts, figures, and real-life stories about leadership, education, and career planning, and learn how women are using negotiation, networking, and other collaborative practices to lead their organizations into the future.
Prelude to Disaster is the most comprehensive account of the fateful decision to tax American colonists. Unlike other studies, it emphasizes the central role of the young George III in the process. Central to this examination are George's principles of statecraft and government, his thoughts on pre- and post-war empires, his assessments of future relations with Britain's great antagonist France, his personality and its development before and after his accession to the throne, his friendship with the earl of Bute, and his attitudes toward domestic policies and politicians, especially George Grenville.
Balzac's Cane is an English translation of Delphine de Girardin's 1836 novella, La Canne de M. de Balzac, which centers around a protagonist named Tancred Dorimont, a brilliant young man plagued by his devastating good looks. In a social context in which appearance is everything, it seems for several chapters that beauty will break, rather than make, this young man's fortune. One evening as Tancred seeks to forget his problems by spending an evening at the opera, he observes M. de Balzac and learns the secret to this famous author's ability to know the innermost secrets of all walks of life with such detail and intimacy; M. de Balzac's cane, a famously hideous walking stick, has the power to render the bearer invisible. A deal, which straddles the line between a favor and blackmail, is worked out between these two men and the cane comes into Tancred's possession. With this tool Tancred is able to overhear state secrets, make his fortune, and then set his sights upon finding a woman truly worthy of his love. Voyeurism, surveillance, courtship, feminism, authorship, and the vanishing distinction between public and private lives are all raised in this novella. This work will be a useful text in either French literature or comparative survey courses due to its examination of contemporary nineteenth-century life, social organization and morals, its parody of bildungsroman and romance novels, and its combination of genres: several lengthy poems are an essential part of the novella's text.
Edited by the leading scholars in the field, Vital Questions Facing Disability Studies in Education provides an overview and introduction to the growing field of disability studies in education, including the application of the interdisciplinary field of disability studies to inclusive education, teacher education, educational research, and educational policy development. While traditional special education research has focused on developing interventions aimed at increasing students' functional capacities, disability studies scholars have asked provocative and probing questions about how communities and schools can value, include, and nurture disabled persons. This second edition continues the emphasis of the first edition on the central questions that drive this critical field of inquiry and social action, while broadening its scope to more fully address international educational issues. The first edition of this text has been widely adopted in undergraduate and graduate courses in disability studies and inclusive education.
Going Inward is a pragmatic text for faculty in all disciplines who desire to deepen their reflection on teaching. Through the culturally introspective writings of faculty in a variety of academic disciplines, readers will gain a deeper understanding of faculty cultural influences on college teaching and student learning. This book introduces readers to cultural self-reflection as a powerful tool for insight into how our values and beliefs from our cultural and familial upbringing influence our teaching practice. Cultural self-reflection is a process for generating insights and empathy toward serving students from backgrounds and cultures both similar to and different from one's own. The integrated design of the book's three parts - cultural introspection, faculty culture and teaching autobiographies, and developing a culturally introspective practice - makes this book helpful to teaching faculty and academic administrators.
Canadians are beginning to learn about the negative effects of residential schools on Aboriginal people in Canada. More hidden in the written record, but bearing a similar powerfully destructive role, are Indian Agents, who were with very few exceptions White men who `ruled the reserves' in Canada from the 1870s to the 1960s. This book is the first to present a discussion of Indian Agents in general. It provides an introductory look at the control Indian Agents exercised over Aboriginal communities throughout the period in question. The primary intent is to spark discussion in Indigenous studies courses.
This book is built upon a discussion of the lives and impact of five Indian Agents: Hayter Reed, William Morris Graham, John McIver, William Halliday, and Fred Hall. However, the practices and views of 39 other Indian Agents are interwoven throughout the text.
Although there was a readily detectable sameness in the way that Indian Agent power was imposed on Aboriginal communities based on the institutional racism of the Indian Agent System, one of the points to be made is that not all Indian Agents were the same. Some were more oppressive than others. Also frequently pointed out is the fact that Aboriginal peoples were not merely helpless victims to Indian Agent control, but resisted that control, sometimes successfully.
The book concludes with a chapter comparing the Indian Agent System in Canada, with similar systems in the United States, Australia, and New Zealand.
Conceptually, Molefi Kete Asante: A Critical Afrocentric Reader is a reflexive analysis of the editor's space in higher education over the past three decades. As a historical assessment, this reader is a narrative that offers a constructive perspective of Afrocentricity, as the sheer mention of the word draws reaction and fear from either uniformed or conventional personnel. The book organizes Asante's writings into four categories: history, mythology, ethos, and motif. Arranged theoretically, these are the four concepts that describe and evaluate culture from an Afrocentric perspective. This study offers an assessment of Asante's body of literature that continues to position the philosophy and ideals of the Afrocentric movement internationally. In the context of being a public intellectual, the core of Asante's analysis draws inferences in locating Africana occurrences in place, space, and time. Advancing this idea further, the purpose of these presages is to motivate scholars in the field of Africana studies to contribute to the intellectual history of W. E. B. Du Bois, Maria Stewart, Carter G. Woodson, John Henrik Clarke, and the countless others who have advanced Africana research and writing. For many cynics and associates, the scholarship of Asante has not been thoroughly vetted. Directly or indirectly, Asante offers a foundation of optimism in forming the outliers of breakdown and breakthroughs for victorious thought of an Afrocentric perspective.
Living at the intersection of multiple identities in the United States can be dangerous. This is especially true for Native women who live on the more than 56 million acres that comprise America's Indian Country - the legal term for American Indian reservations and other land held in trust for Native people. Today, due to a complicated system of criminal jurisdiction, non-Native Americans can commit crimes against American Indians in much of Indian Country with virtual impunity. This has created what some call a modern day «hunting ground» in which Native women are specifically targeted by non-Native men for sexual violence. In this urgent and timely book, author Amy L. Casselman exposes the shameful truth of how the American government has systematically divested Native nations of the basic right to protect the people in their own communities. A problem over 200 years in the making, Casselman highlights race and gender in federal law to challenge the argument that violence against Native women in Indian country is simply collateral damage from a complex but necessary legal structure. Instead, she demonstrates that what's happening in Indian country is part of a violent colonial legacy - one that has always relied on legal and sexual violence to disempower Native communities as a whole.
This book won the 2014 National Communication Association's Diamond Anniversary Book Award This book received the 2014 Gerald R. Miller Outstanding Book Award from the «Interpersonal Communication Division of the National Communication Association» and the «National Communication Association - Communication and Social Cognition Division - 2013 Distinguished Book Award» Informed by a wide variety of academic disciplines and offering a unique interpersonal communication approach to the study of jealousy, The Communication of Jealousy examines, integrates, and informs research on jealousy experience and expression. The book's integration and interpretation of academic jealousy research is through a jealousy expression lens, meaning that the focus will be particularly, but not exclusively, on jealousy research that includes a behavioral or communicative component that is drawn from a number of academic disciplines as diverse as communication, social and clinical psychology, sociology, criminology, forensic anthropology, and the biological sciences. To date, no academic book has considered jealousy primarily from an interpersonal communication perspective; in doing so, this book effectively connects jealousy research from related academic disciplines and develops a theory that advances the state of jealousy expression research.
Mutating Idylls examines the surprising presence of the antique literary topos of the idyllic landscape, the locus amoenus, in European literature from the latter half of the nineteenth century. The book sets out to identify how this topos, which generally has no place in politically and socially realistic and naturalist literature, actually does have a role to play. Chapters on central nineteenth-century authors such as Flaubert, Zola, Fontane, Verga, Hamsun, Austen, Eliot, Wilde, Jiménez, Cernuda, and Galdós demonstrate both the presence and the multiple refunctionalizations of the locus amoenus. The theoretical aim of Mutating Idylls is to rehabilitate the notion of literary topos. This feature is present in the introduction as a possibility in literary studies today. The chapters all argue in the direction of a notion of topos, which is more flexible than the one Curtius defines along the lines of formula or cliché. In this way, the book intervenes in at least three major fields of study: nineteenth-century studies, classical philology, and literary theory. Through empirical analyses covering diverse authors who all, more or less unconsciously, use the locus amoenus, Mutating Idylls offers a new understanding of the culture of writing in the nineteenth century and contributes to literary theory a rehabilitation of the important notion of the topos.
Agendamelding: News, Social Media, Audiences, and Civic Community builds on the premise that people construct civic community from the information that they seek-as well as the information that seeks them-to trace the processes by which we mix, or meld, agendas from various sources into a coherent picture of the civic community in which we live. Using the presidential elections of 2008, 2012, and 2016, this book tests a formula that allows us to predict how potential voters lean towards communities in which they feel comfortable-for example, Republican, Democratic, or Independent. These analyses take into account differences in the use of traditional news media vs. social media among media consumers, as well as varying levels of press freedom across national populations.
Constructing the (M)other is a collection of personal narratives about motherhood in the context of a society in which disability holds a stigmatized position. From multiple vantage points, these autoethnographies reveal how ableist beliefs about disability are institutionally upheld and reified. Collectively they seek to call attention to a patriarchal surveillance of mothering, challenge the trope of the good mother, and dismantle the constructed hierarchy of acceptable children. The stories contained in this volume are counter-narratives of resistance-they are the devices through which mothers push back. Rejecting notions of the otherness of their children, in these essays, mothers negotiate their identities and claim access to the category of normative motherhood. Readers are likely to experience dissonance, have their assumptions about disability challenged, and find their parameters of normalcy transformed.
El español y su evolución es una obra compacta y didáctica, dirigida a los estudiantes universitarios que están haciendo una concentración en español o los que se encuentran en un programa de Maestría. Nuestro texto se basa en la evolución de la lengua castellana, desde sus orígenes en latín hasta su forma presente. Al ser una segunda edición, se infiere que el libro se ha estado preparando por más de 10 años y es el producto de extensas investigaciones en distintos campos lingüísticos como trasfondos históricos, lenguas en contacto, dialectología, etc. Sus numerosos y variados ejercicios proveen una herramienta idónea para que el estudiante alcance un alto nivel de proficiencia en el aprendizaje de nuestro idioma, su evolución a partir del período latino y también las influencias que ha recibido de otras lenguas. Nuestras bibliografías se han puesto al día y, finalmente, hay tres apéndices referentes a terminología lingüística, fonética y el sistema verbal latino. La primera edición (1999) del libro se ha empleado durante varios años, lo cual nos ha permitido ver sus virtudes tanto como sus defectos, por lo cual nos hemos concentrado en aquellas e intentado corregir estos últimos. El resultado es un producto maravilloso e innovador que ha probado ser muy efectivo para el grupo de alumnos al que va dirigido. Como nuestros propios estudiantes en el City College of New York han observado en diversas ocasiones: ¡Este curso es fenomenal y también es divertido! Creemos que ese aspecto «ligero» de la mayor parte de los ejercicios ha permitido que los estudiantes aprendan una asignatura árida dentro de una atmósfera relajada, todo sin perder, a la vez, su profundidad.
Why are so few women composers known to the general public and even fewer of their works studied and performed? More than one musicologist told the author that they are not «famous» enough to be considered! So then, can a woman who studied with Boulanger and Messiaen, who won the coveted Paris Conservatory Prize in Composition, who received the highest awards her country can bestow, and who produced some of the finest teaching musicians on the globe qualify as «famous»? This book is about one who can and does: Erzsébet Szonyi, a Hungarian «Renaissance woman», who, in spite of a repressive regime's attempts to contain her, ended up wielding an international artistic and pedagogical influence. Readers interested in music education, women's and family studies, Kodály studies, Classical education, theory and composition, musicology, creative processes, educational psychology, and the history and sociology of pre- and postwar Central Europe will find A Tear in the Curtain: The Musical Diplomacy of Erzsébet Szonyi: Musician, Composer, Teacher of Teachers to be a compelling read. One is left to contemplate what society should actually expect from the education of its citizens. In this book, readers clearly hear Erzsébet Szonyi's own voice as she describes her journey through unimaginable joys, sorrows, and personal challenges to emerge as a muse for our age. More like her are needed; perhaps through her life story we can learn how to raise them. The message is clear: Fame is a life lived in the service of others.
A century of education and education reform, along with more than three decades of high-stakes testing and accountability, reveals a disturbing paradox: education has a steadfast commitment to testing and grading. This commitment persists despite ample research, theory, and philosophy revealing the corrosive consequences of both testing and grading in an education system designed to support human agency and democratic principles. This revised edited volume brings together a collection of updated and new essays that confronts the failure of testing and grading. The book explores the historical failure of testing and grading; the theoretical and philosophical arguments against testing and grading; the negative influence of tests and grades on social justice, race, class, and gender; and the role that they play in perpetuating a deficit perspective of children. The chapters fall under two broad sections. Part I, Degrading Learning, Detesting Education: The Failure of High-Stake Accountability in Education, includes essays on the historical, theoretical, and philosophical arguments against testing and grading. Part II, De-Grading and De-Testing in a Time of High-Stakes Education Reform, presents practical experiments in de-testing and de-grading classrooms for authentic learning experiences.
Identifying the roots of African American spirituals and other religious folk music has intrigued academics, hymnologists and song leaders since this genre came to the public eye in 1867. The conversation on origins has waned and waxed for over eighty years, sometimes polemical, sometimes compromising. They Bear Acquaintance looks at this discussion through the output of various well-regarded researchers from the twentieth century. The effects of cultural distinctions, immigration patterns and class structure have all left their imprint on the anatomy of the music. No one living has ever heard a spiritual performed in an authentic setting, so misconceptions abound. Pre-dating the American Civil War and achieving global attention in the Civil Rights movement, the spirituals soften the edges of difficult situations, and speak gently, yet poignantly, to human struggles. The book also pinpoints new material from a wide range of sources in the twenty-first century that will preserve and affirm this music for many years to come.
The last half century has created deep tensions in how we analyze educational and social change. Educators, policymakers, and concerned citizens have had to cope with competing belief systems in evaluating and acting upon school policies and practices. This illuminating book untangles many of the roots of those persistent debates that have divided the nation for so long. It offers readers a critical opportunity to reflect on our continuing ideological struggles by examining popular books that have made a difference in educational discourse. The editor has specifically selected key books on social and educational controversies that speak to wide audiences. They frame contextual issues that so-called «school reformers» have often neglected - much to the detriment of any real educational progress. Ultimately, this text is meant to stir our consciences, to disorder our certainties, and to compel us to treat education and culture with both reason and passion. It is highly relevant for courses in social foundations of education, school reform, educational policy studies, philosophy of education, history of education, politics of education, curriculum studies, and teacher education.
This book, a sequel to A Resource Book for Improving Principals' Learning-Centered Leadership, first introduces the content and process of the Learning-Centered Leadership Development Program. It then presents nine case studies and a cross-case analysis of how schools enacted the content and process, in a framework of school renewal, to improve their school operations and student achievement. The book is unique in offering an inside view from the perspective of the school personnel. Finally, it summarizes the parameters of the renewal model (versus the reform model). The book will be useful for school administrators and teachers, educational policy makers, and educational researchers.
Images of «good mothers» saturate the media, yet so too do images of mothers who do not fit this mold. Numerous scholars have addressed «bad mothers» in the media, arguing that these images are a necessary counterpoint that serves to buttress the «good mother» myth. While mediated images of women who fail to enact good motherhood may promote good mothering as an ideal, the essays in Mediated Moms: Contemporary Challenges to the Motherhood Myth, suggest that this is not all that is occurring in contemporary portrayals of maternity. The authors in this volume explore how images of mothers have expanded beyond the good/bad dichotomy, simultaneously and sometimes paradoxically serving to reinforce, fracture, and/or transcend the ideology of good motherhood.